Manipulation Case Study Essay Example for Free

Manipulation Case Study Essay Who has manipulated my mind in relation to reality? I believe that society has manipulated my mind in relation to reality in some way because I think that reality is just a state of mind. The physical aspect of the things I can see, touch, taste, etc. make me believe that everything I encounter is factual. Also society says to believe only what you believe to be real and don’t believe in fantasy because you have no physical connections to imagination. How can I break free from the bonds of those who seek to manipulate me? I can break free the bonds of those who seek to manipulate me by choosing what to believe and to have an open mind when using critical thinking. I can use my logic when it relate how I receive information by make choose whether to let negative energy in my life affect me or choose to overcome it decide how I’m going to reaction to the situation. I believe that sometimes if people actually took the time think about things before they reacted on pure emotion then they can see that taking a few seconds think any negativity in their life they choose how they should react. An example when I’m driving and somebody cuts me off naturally I’m upset and wondering why this person would do something like. In some cases I want to speed next to the person in engage in an offensive gesture or go on verbal rant at that person but I usually take a second to think about it and realize maybe this person is in hurry or not pay attention while driving. By me choosing to restrain from getting in a road rage battle with that driver chose to the better person because at the end of the day we both are just trying to get to or destination. What preconceptions do I have in my life that might distort my vision of reality? The preconceptions that I have in my life that distorted my vision of reality is that all people are decent and kind. As a kid growing up I believe that all people were decent and kind because society was more civilized and simple. Now that I’m a adult I know that is not true at all because of how society is nowadays with in rapid increase in crimes such as murders, kidnappings, child molestations, etc. People have ability to be decent and kind but some choose to evil and cruel. Every person has the potential to be criminal because in today’s society have become desensitized.

Playstation Vs. Nintendo 64 :: essays research papers

Video games are taking the entertainment business by storm. Systems are constantly improving and new systems are always in the process. The two latest systems are the Nintendo 64 and the Sony Playstation. Both have similar qualities, but they are very different.   Ã‚  Ã‚  Ã‚  Ã‚  Software selection is a key point when in comes to deciding on a system. A few of the latest games, Madden 99, WWF Warzone, and NHL 99, have been made for both systems. However, the Playstation has a greater variety of role playing games. Playstation would be a better choice for someone who enjoys role playing games. It also has many more games than the Nintendo 64 does. Playstation has been out on the market for a longer period of time than Nintendo 64, this is why it has more games than Nintendo 64.   Ã‚  Ã‚  Ã‚  Ã‚  When it comes to graphics, the Playstation wins again. All of the Nintendo 64 games have polygonal graphics, where the Playstation can also support film graphics for games that star real life actions. If the gamer enjoys watching a story line in a real life situation, Playstation would be the better choice to go with.   Ã‚  Ã‚  Ã‚  Ã‚  When it comes to wait time, the Nintendo 64 blows away the Playstation. Some games for the Playstation take up to a minute to load. This is due to the fact that the system uses compact discs for software. On the other hand, Nintendo 64 uses cartridges. These load instantly. If you have no patients for waiting on a game to load, then Nintendo 64 is the better choice.   Ã‚  Ã‚  Ã‚  Ã‚  Accessorizing the systems is a minor point, but it is still there. The Nintendo 64 comes with four controller ports, so no additional purchase is necessary (besides the actual controllers). The Playstation, however, comes with only two controller ports.

Anton Chekhovs `Heartache` and William Faulkners `A Rose for Emily`

Throughout his work Faulkner demonstrates this ability to create characters whose loneliness functions both as a dramatic fact and as a psychological theme. In The Sound and the Fury Quentin Compson's personal despair, or sense of irrevocable isolation, is related to his puritan meddling with the lives of others. In As I Lay Dying the individual members of the Bundren family are motivated by secret and lonely desires that are in strong contrast to the apparent solidarity of the family venture.Darl Bundren's madness is the price he pays for a full understanding of human loneliness, of how â€Å"the clotting which is you† struggles to preserve its identity in the relentless flux of time. The moral themes of Light in August are directly related to Joe Christmas's puritan loneliness. But his loneliness is only a product of his desperate search for moral absolution. Human isolation is implicitly identified in such novels with the search for selfhood in a dynamic and time-ridden wor ld.An individual's sense of isolation is never a quality imposed upon him by circumstances; it is rooted in human nature, and circumstances only bring to light its destructive consequences. Loneliness has its particular origin at the heart of puritan self-consciousness, when man tries to create a bulwark of morality and reason against the fear that nothing in this world really matters. Only Faulkner's nonrational characters are free of the destructive fluctuation between moral pride and amoral despair.His primitive characters are never lonely; they never see themselves as isolated human agents. Faulkner's success in portraying human loneliness lies in the fact that only individuals can be lonely — and the characters of his early novels are always individuals. But in Faulkner's later novels a character's sense of isolation is treated primarily as an abstract or universal theme. The opposition between man and his social world becomes a question of philosophy and not of dramatic organization.Atmosphere is defined in the Dictionary of World Literature as â€Å"The particular world in which the events of a story or a play occur: time, place, conditions, and the attendant mood. † When, as in â€Å"A Rose for Emily,† the world depicted is a confusion between the past and the present, the atmosphere is one of distortion–of unreality. This unreal world results from the suspension of a natural time order. Normality consists in a decorous progression of the human being from birth, through youth, to age and finally death. Preciosity in children is as monstrous as idiocy in the adult, because both are unnatural.Monstrosity, however, is a sentimental subject for fiction unless it is the result of human action–the result of a willful attempt to circumvent time. When such circumvention produces acts of violence, as in â€Å"A Rose for Emily,† the atmosphere becomes one of horror. Horror, however, represents only the extreme form of ma ladjusted nature. It is not produced in â€Å"A Rose for Emily† until the final act of violence has been disclosed. All that has gone before has prepared us by producing a general tone of mystery, foreboding, decay, etc. so that we may say the entire series of events that have gone before are â€Å"in key†Ã¢â‚¬â€œthat is, they are depicted in a mood in which the final violence does not appear too shocking or horrible.We are inclined to say, â€Å"In such an atmosphere, anything may happen. † Foreshadowing is often accomplished through atmosphere, and in this case the atmosphere prepares us for Emily's unnatural act at the end of the story. Emily is portrayed as â€Å"a fallen monument,† a monument for reasons which we shall examine later, fallen because she has shown herself susceptible to death (and decay) after all.In the mention of death, we are conditioned (as the psychologist says) for the more specific concern with it later on. The second paragraph depicts the essential ugliness of the contrast: the description of Miss Emily's house â€Å"lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps–an eyesore among eyesores. † (A juxtaposition of past and present. ) We recognize this scene as an emblematic presentation of Miss Emily herself, suggested as it is through the words â€Å"stubborn and coquettish. The tone–and the contrast–is preserved in a description of the note which Miss Emily sent to the mayor, â€Å"a note on paper of an archaic shape, in a thin, flowing calligraphy in faded ink,† and in the description of the interior of the house when the deputation from the Board of Aldermen visit her: â€Å"They were admitted by the old Negro into a dim hall from which a stairway mounted into still more shadow. It smelled of dust and disuse–a close, dank smell. † In the next paragraph a description of Emily discloses her similarity to the house: â€Å"She looked bloated, like a body long submerged in motionless water, and of that pallid hue.Emily had not always looked like this. When she was young and part of the world with which she was contemporary, she was, we are told, â€Å"a slender figure in white,† as contrasted with her father, who is described as â€Å"a spraddled silhouette. † In the picture of Emily and her father together, framed by the door, she frail and apparently hungering to participate in the life of her time, we have a reversal of the contrast which has already been presented and which is to be developed later.Even after her father's death, Emily is not monstrous, but rather looked like a girl â€Å"with a vague resemblance to those angels in colored church windows–sort of tragic and serene. † The suggestion is that she had already begun her entrance into that nether-world (a world which is depicted later as â€Å"rose-tinted†), but that she might even yet have been sa ved, had Homer Barron been another kind of man. Just as Emily refused to acknowledge the death of her father, she now refuses to recognize the death of Colonel Sartoris. He had given his word, and according to the traditional view, â€Å"his word† knew no death.It is the Past pitted against the Present –the Past with its social decorum, the Present with everything set down in â€Å"the books. † Emily dwells in the Past, always a world of unreality to us of the Present. Here are the facts which set the tone of the story and which create the atmosphere of unreality which surrounds it. It is important, too, to realize that during the period of Emily's courtship, the town became Emily's allies in a contest between Emily and her Grierson cousins, â€Å"because the two female cousins were even more Grierson than Miss Emily had ever been. The cousins were protecting the general proprieties against which the town (and the times) was in gradual rebellion. Just as each s ucceeding generation rebels against its elders, so the town took sides with Emily against her relations. Had Homer Barron been the proper kind of man, it is implied, Miss Emily might have escaped both horns of the dilemma (her cousins' traditionalism and Homer's immorality) and become an accepted and respected member of the community.The town's attitude toward the Grierson cousins represents the usual ambiguous attitude of man toward the past: a mixture of veneration and rebelliousness. The unfaithfulness of Homer represents the final act in the drama of Emily's struggle to escape from the past. From the moment that she realizes that he will desert her, tradition becomes magnified out of all proportion to life and death, and she conducts herself as though Homer really had been faithful–as though this view represented reality.Miss Emily's position in regard to the specific problem of time is suggested in the scene where the old soldiers appear at her funeral. There are, we are told, two views of time: (1) the world of the present, viewing time as a mechanical progression in which the past is a diminishing road, never to be encountered again; (2) the world of tradition, viewing the past as a huge meadow which no winter ever quite touches, divided from (us) now by the narrow bottleneck of the most recent decade of years. The first is the view of Homer Barron and the modern generation in Jefferson.The second is the view of the older members of the Board of Aldermen and of the confederate soldiers. Emily holds the second view, except that for her there is no bottleneck dividing her from the meadow of the past. Emily's small room above stairs has become that timeless meadow. In it, the living Emily and the dead Homer have remained together as though not even death could separate them. It is the monstrousness of this view which creates the final atmosphere of horror, and the scene is intensified by the portrayal of the unchanged objects which have surrounded H omer in life.Here he lay in the roseate atmosphere of Emily's death-in-life: â€Å"What was left of him, rotted beneath what was left of the nightshirt, had become inextricable from the bed in which he lay; and upon him and upon the pillow beside him lay that even coating of the patient and biding dust. † The symbols of Homer's life of action have become mute and silent. Contrariwise, Emily's world, though it had been inviolate while she was alive, has been invaded after her death–the whole gruesome and unlovely tale unfolded.In the first place, she has been frustrated by her father, prevented from participating in the life of her contemporaries. When she attempts to achieve freedom, she is betrayed by a man who represents the new morality, threatened by disclosure and humiliation. Loneliness is associated rhetorically with abstract humanity. Simultaneously it becomes a cause less for despair than for transcendental affirmation, a theme related in A Fable to the Marsha l's faith in irrevocable human evil.The loneliest experience of all, the reader is told in this novel, is just breathing. But in its identification with the human condition, the concept of loneliness loses all personal meaning. Only by declining to state such identifications can the novelist successfully establish them. In his best work Faulkner demonstrates that loneliness is a particular, never a universal state of mind. Loneliness is not an abstract concept of human experience but the world in which each individual must live.Chekhov in his story, â€Å"Heartache,† dealt with being old and alone in the city. In â€Å"Heartache,† an old cabby lamented the fact that his son had died before him. He was then alone with no one to take care of him and with no one to learn from him. He was completely alone, abused by people, with no one to help him bear his grief. He earned enough to feed his horse and not much else. He slept on a bench in a large room with the other cabbie s. One wonders how long he would last with hunger, cold, and loneliness on his old, tired heels. (Williames 132)

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The Ethics Of Stem Cell Research - 1643 Words

Michael Thomas Philosophy 3520 Bioethics The Ethics of Stem Cell Research Science fiction has tried to encapsulate social responses that could arise with the development of genetically altered or â€Å"enhanced† human beings. Regenerative medicine, genetic cloning and life extension are all terms that sound like they came out of a fantastic film or novel, though they are in fact subjects of great research and heated debates. Embryonic stem cells are arguably the quintessential building block of life itself. They’re â€Å"undifferentiated cells produced after a fertilized egg has divided several times and developed into a blastocyst,† which is â€Å"a hollow ball of cells† inside which is a group of â€Å"fifteen to twenty embryonic stem cells.†Ã¢â‚¬ ¦show more content†¦One of which is the belief that from the moment of conception, a fertilized egg is â€Å"a human subject with a well defined identity.† Any form of harm being committed against this innocent life should be considered inhumane. A developing cell mass, even in the beginning stages of life has all of the rights a human child would have. Many researchers believe that there is potential to reach a point where embryonic research may lead to breakthroughs in adult stem cells which are not obtained from, and thus do not mean the destruction of, embryos. However, it is the firm stance of the Magisterium of the Church that even a noble end cannot be justified with immoral means of obtaining it. Therefore, research should continue on adult stem cells so long as it does not incorporate the use or exploitation of embryonic stem cells, or even of cell lines that have already been developed using embryos. Therapeutic Cloning is a term used in conjunction with a branch of embryonic stem cell research in which an embryo is cloned and the clone is used for its stem cells, leaving the original embryo unscathed. According to â€Å"The Academy,† [Pontifical Academy for Life] using even a cloned embryo is considered to be morally objectionable. Each of the embryos in this

Atonement and Redemption, the Cure to Sin (Kite Runner)

Alex DaPonte Mrs. Gill College English March 27 2012 Atonement and Redemption, the Cure to Sin Sin will always be part of humanity, but the atonement of those sins is what matters in the end. What changes is the severity of the sin and the lengths one has to go in order to atone for those sins and redeem one’s self. In Hosseini’s novel, The Kite Runner, guilt, atonement of sins and redemption all show that no matter what a person’s sin may be, he or she will always be able to atone for that sin and find redemption. Amir’s sins are far worse than anything most people will ever go through, yet he is able to atone for his sins, let go of his guilt thus, finding redemption. Even before Amir was born, sin would be bound to him. Hayes†¦show more content†¦Amir has finally done what he should have done about twenty-eight years ago. Fighting Assef for Sohrab helps Amir reach atonement for the sin of not fighting Assef for Hassan. Amir was given a second chance in a similar scenario with the same evil character Assef, and with that second chance Amir breaks the cycle of his sins and is able to forgive himself, becoming a better person. While Assef was beating him, Amir laughs because of his new-found atonement and lack of guilt. †¦For the first time since the winter of 1975, I felt at peace. I laughed because I saw that, in some hidden nook in a corner of my mind, id even ben looking forward to this. I remembered the day on the hill I had pelted Hassan with pomegranates and tried to provoke him†¦ I hadn’t felt better, not at all. But I did now. My body was broken†¦but I felt healed. Healed at last. I laughed. (Hosseini 221) From here on Amir forgave himself and worked to make all the sins that burdened him right. â€Å"We were all born with a moral obligation to leave this world a little bit better than we found it† (Mcilrath). Amir finally forgives himself thus reaching redemption. After he fights Assef he wants to become a better person and be the father that he never had. Baba not only had sins of his own but gave some of his sins to Amir. Amir redeems these sins and will â€Å"leave this world a little better than† what he was born into. Sohrab was told that he would have to go

Introduction to Accounting Accounting and Business Economics

Question: Discuss about the Introduction to Accounting for Accounting and Business Economics . Answer: Introduction: The trial balance, comprehensive income statement and the balance sheet of Jackson and sons have been prepared in the first part. The second part of the report comprised of the analysis of the performance of the two selected companies that is a Tesco and Sainsbury. The analysis has been done using the profitability ratio, liquidity ratio and efficiency ratio. 1: In the Books of Jackson Sons Trial Balance as on 30/11/16 Trial Balance Adjustment Updated Trial Balance Particulars Debit Credit Debit Credit Debit Credit Retained Profit 173,475 173,475 Sales 950,000 950,000 Share Capital 100,000 100,000 Share Premium 200,000 200,000 Inventory 55,000 55,000 Purchases 350,000 350,000 Trade Payables 98,000 98,000 Trade Receivables 205,000 205,000 Bank 83,900 83,900 Motor Expenses 8,700 8,700 Maintenance 2,000 2,000 Salaries Wages 120,000 120,000 Administration Expenses 67,545 67,545 Telephone 2,100 2,100 4,200 Heat Light 3,800 1,000 2,800 Equipment at Cost 450,000 450,000 Provision for Depreciation equipment 45,000 40,500 85,500 Motor Vehicle at cost 120,000 120,000 Provision for Depreciation motor vehicle 6,000 18,000 24,000 Rent 128,000 8,000 120,000 Advertising 12,980 12,980 Bad Debts 5,450 5,450 Provision for Bad Debts 2,000 2,000 Long Term Debt 50,000 50,000 Interest 10,000 10,000 Equipment Depreciation 40,500 40,500 Motor Vehicle Depreciation 18,000 18,000 Prepayments 9,000 9,000 Accrual 2,100 2,100 Income Tax Expense 12,000 12,000 Provision for Income Tax 12,000 12,000 TOTAL 1,624,475 1,624,475 81,600 81,600 1,697,075 1,697,075 b) In the Books of Jackson Sons Income Statement for the period ended 30/11/2016 Particulars Amount Amount Sales Revenue 950,000 Cost of Goods Sold: Opening Inventory -55,000 Add: Purchases -350,000 Less: Closing Inventory -85,000 -320,000 Gross Profit 630,000 Operating Expenses: Motor Expenses -8,700 Maintenance -2,000 Salaries Wages -120,000 Administration Expenses -67,545 Telephone -4,200 Heat Light -2,800 Rent -120,000 Advertising -12,980 Bad Debts -5,450 Equipment Depreciation -40,500 Motor Vehicle Depreciation -18,000 Total Operating Expenses -402,175 Earnings before Interest Tax 227,825 Less: Interest -10,000 Earning before Tax 217,825 Less: Income Tax Expense -12,000 Net Profit for the Period 205,825 c) In the Books of Jackson Sons Balance Sheets as on 30/11/16 Particulars Amount Amount CURRENT ASSETS: Bank 83,900 Trade Receivable 205,000 Less: Provision for Bad Debts -2,000 203,000 Closing Inventory 85,000 Prepayments 9,000 TOTAL CURRENT ASSETS 380,900 NON-CURRENT ASSETS:- Equipment at Cost 450,000 Less: Provision for Equipment Depreciation -85,500 364,500 Motor Vehicle at Cost 120,000 Less: Provision for Motor Vehicle Depreciation -24,000 96,000 TOTAL NON-CURRENT ASSETS 460,500 TOTAL ASSETS 841,400 CURRENT LIABILITIES: Trade Payables 98,000 Accruals 2,100 Provision for Income Tax 12,000 TOTAL CURRENT LIABILITIES 112,100 NON-CURRENT LIABILITIES: Long Term Debt 50,000 TOTAL NON-CURRENT LIABILITIES 50,000 TOTAL LIABILITIES 162,100 EQUITY: Share Capital 100,000 Share Premium 200,000 Retained Earnings 173,475 Add: Net Profit for the Period 205,825 379,300 TOTAL EQUITY 679,300 TOTAL EQUITY LIABILITY 841,400 Workings for Depreciation:- Particulars Equipment Motor Vehicle Cost Price 450,000 120,000 Less: Accumulated Depreciation 45,000 0 Net Cost 405,000 120,000 Depreciation Rate 10% 15% Depreciation for the period 40,500 18,000 2: Introduction: The selected companies are Tesco and Sainsbury. For the purpose of analysis, the ratios selected from the profitability ratio are net profit margin and return on equity. The analysis of liquidity ratio is done using the current ratio and quick ratio. Under the efficiency ratio, the selected ratio for the analysis are receivables collection period and inventory turnover period. Profitability Ratio Analysis:- Looking at the calculated profitability ratios of Tesco, the net profit margin was 004% in the year 2013 and it rose to 153% in the year 2014. The ratio was -9.26% in the year 2015 as compared to other years. The ratio turned out to be negative in the financial year because it incurred net loss of 5766 million. The gross loss of the group reported to be 2695 million. All this was the reason attributable to the negative net profit margin. The return on equity also went down in the subsequent year. The ROE of the year 2013 was 0.14%, the ratio increased to 7% in the year 2014. The ratio was negative at -82% in the year 2015. It can be seen that the ratio have fallen and turned out be negative in the financial year 2015 and this was because the group incurred comprehensive loss(Collier 2015). Graph 1: Return on Equity Source: (created by author) There was a fall in the net profit margin of Sainsbury in the financial year 2015. The ratio for the year 2013 stood at 258% as compared to 2.99% in the financial year 2014. The ratio fell to -0.70% in the year 2015. The return on equity for the year 2013 was 10% as compared to 12% in the financial year 2014. The ratio turned negative and fell to -3% in the financial year 2015. The company incurred a loss in the financial year 2015 and the total comprehensive loss stood at 195 million for the year 2015. Graph 2: Net Profit Margin Source: (created by author) Liquidity Ratio Analysis:- The quick ratio initially increased and subsequently decreased in the year 2015. The ratio stood at 1.59 in the year 2013 as compared to 2.06 in the year 2014. The ratio was reported at 1.15 in the financial year 2015. The fall in the quick ratio is indicative of the fact that the company is relying too much on its inventories to clear off its short term obligations. The quick ratio of Sainsbury had an increasing trend. The quick ratio was calculated at 0.30 in the year 2013, which increased to 0.50 in the year 2014. The ratio further increased to 0.51 in the financial year 2015. The high quick ratio indicates that the company is able to meet its financial obligation suing the funds available in hand. It also indicates that the company might facing difficulties in collecting its receivables(Stoer and Bulirsch 2013). Graph 3: Quick Ratio Source: (created by author) The current ratio of Tesco stood at 2.67 in the year 2014 as compared to 2.22 in the year 2013. The ratio fell to 1.52 in the financial year 2015. Though the current ratio has fallen, the company is able to meet its short term obligations using its current ratio. The current ratio fell as there was reduction in the current assets held and the current liabilities increased. The current ratio of Sainsbury was reported at 0.61 in the year 2013 and the ratio increased to 0.65 in the financial year 2014. However, the ratio remained constant at 0.65 in the financial year 2015. The reason behind the increasing current ratio is that the current assets of the company increased in the year 2015 and the current liabilities also increased and the increasing ratio indicates a good sign as the company is able to meet its short term obligations suing its current assets(Black and Al-Kilani 2013). Graph 4: Current Ratio Source: (created by author) Efficiency Ratio Analysis:- Under the analysis of efficiency ratio, there is a consecutive fall in the receivable collection period. The collection period was 14.54 in the year 2013 and it fell to 12.58 and 12.43 in the year 2014 and 2015 respectively. The fall in the receivables collection period indicating that the company is tying less of its funds in the account receivables and which can be used for other purpose. The receivables collection period of Sainsbury had an increasing trend and the figure stood at 4.79 in the year 2013. The collection period increased to 6.60 and 7.30 in the year 2014 and 2015 respectively. The increase in the collection period is not a good sign as the funds are tied up and there arises the risk of default in the payment made by the debtors(Atrill andMcLaney 2014). Graph 5: Receivables Collection Period Source: (created by author) The inventory turnover period also witnessed a fall. The figure stood at 23.06 in the year 2013 and this fell to 21.92 and 16.76 in the year 2014 and 2015 respectively. The low inventory turnover indicates that the company is not able to sell off its inventories and they are lying idle and there is a lack of liquidity(Collis et al. 2012). The inventory turnover ratio of Sainsbury is more or less stable in the period of analysis. In the year 2013, the figure stood at 16.36, which fell to 16.26 in the year 2014. The turnover period further fell to 16.13 in the year 2015. The fall in the period indicates the overstocking and poor liquidity of the company. Graph 6: Inventory Turnover Period Source: (created by author) Conclusion: The analysis of the performance of two companies have been done suing the ratios and it is concluded that the performance of both the companies is at par. In comparison to few parameters, Sainsbury has outperformed Tesco. Reference and Bibliography: Kuter, M.I., 2013. Introduction to Accounting: textbook.Krasnodar: Prosveshenie-Yug,20(3), p.5. Atrill, P. and McLaney, E., 2014.Accounting and Finance: An Introduction. Pearson Higher Ed. Biondi, Y. and Zambon, S. eds., 2013.Accounting and business economics: Insights from national traditions. Routledge. Black, G. and Al-Kilani, M., 2013.Accounting and finance for business. Pearson Higher Ed. Collis, J., Holt, A. and Hussey, R., 2012.Business accounting: an introduction to financial and management accounting. Palgrave Macmillan. Glaum, M., Baetge, J., Grothe, A. and Oberdrster, T., 2013. Introduction of International Accounting Standards, disclosure quality and accuracy of analysts' earnings forecasts.European Accounting Review,22(1), pp.79-116. Shah, P., 2013. Financial Accounting.OUP Catalogue. Maher, M.W., Stickney, C.P. and Weil, R.L., 2012.Managerial accounting: An introduction to concepts, methods and uses. Cengage Learning. Warren, C.S., Reeve, J.M. and Duchac, J., 2013.Financial managerial accounting. Cengage Learning. Stoer, J. and Bulirsch, R., 2013.Introduction to numerical analysis(Vol. 12). Springer Science Business Media. Giles, R., 2014.Finance Accounting New 4th Edition. Lulu.com. Collier, P.M., 2015.Accounting for managers: Interpreting accounting information for decision making. John Wiley Sons.